Challenge BOSS effects to create a new sound

The challenge, the creation of new sound effects, order of connection methods, as well as the timbre of the modulation is the focus of debate for many years to create the favorite! timbre friends better use of the many products, the BOSS of your imagination to create sound, here are some of the effects of common use skills and sound modulation and the new connection methods, in order to help friends who develop new ideas for new timbres. · for detecting sound wave seal of effects, such as automatic wow sound and octave effects, you should try to connect with the guitar first connection. Wow pedals in general need to connect, so that before the distortion better to control the distortion, of course, after the connection in the distortion of the distortion of the same good tone. But wow sound brings voice changes and connection site has a lot to do, before and after the distortion is very different, you can try a different timbre needed. · EQ in distortion after connection can fully stabilized timbre. · reverberation effect chain you want to connect in the end, this can get maximum effect. · chorus/delay/reverb connection to carefully monitor the sound changes. · volume pedal to connect before the delay effect, so that the volume of hours not to cut the sound of the vibration frequency. If a volume pedal connection before the distortion can control the intensity of the distortion of. noise reduction effect of connecting a · reduces distortion and noise modulation effect, but also reduce the number of signals, depending on the circumstances of the appropriate modem. Reverb modulation! reverberation time you can set the length of the ECHO and decay, reverb level control the intensity of the reverb. If you want to clean, bright reverb, to reduce the reverb level and set a long reverberation time. While the level, the reverberation time is short the rich timbre. TONE knob used to tone with the brightness and depth. To make your desired timbre can be the first in the middle position is set, then rotate according to the different needs and sets the appropriate tone. Delay time modulation delay you can use to get a wider range of sounds. If you would like to have a dual-tone, similar to the Duet, you will need to set up a short delay (50ms or less) and without Feedback. To get the length of the delay with the reverb effect, you can set the delay time is set to 100-200ms. Set to 300ms may and you roll timing, to create interesting effects of the sequencer. If you use 800ms or longer delay, can produce harmony chain delay effect. Finally, remember that the direct sound and delay effects sound isolation can create a rich, three-dimensional effect. Use the chorus type of effect the change of the chorus effect! is a mono or stereo. Use Mono, choral provides strong effect sound. When using the stereo, you can get a vast sound effects. Using the flanger effects to create a short delay effect! chorus, chrome and delay effects basic circuit are the same. So sometimes you can produce the same effect, the flanger's resonance is set to 0 can produce a chorus effect. The flanger all controls are set to zero position can result in a single short delay effect. Combined with a short delay and long-latency! if you connect a chrome and a delay, you will be able to sound plus a chrome to create short delay and a long delay effect. Two delay can produce different reverb effect and sound great. And other musical instruments at the same time using the chorus! when a guitarist and keyboard player for use with voice chorus effect, would become unclear. In this case, if the keyboard or synthesizer or electric piano is a choir, guitar use clean "no effect" of sound. In the use of an octave distortion! this can produce very heavy distortion effect. Keep a certain pitch, octave connection with guitar effect chain recently. Adjust sensory set moved under! use an expression pedal, you can on PS effects real-time control of pitch and time value. Use a single motivation speaker distortion! you can use some overload or distortion effect to inspire speaker gain distortion to get greater distortion and timbre, or you can use the monolithic to promote another single tone. Use an overload of the monolithic! enter the speaker signal increased distortion becomes even greater. You can use an overload effects to improve input signal strength. As figure there are two methods to set the speaker set, to crunch can be strong distortion effect. Use two distortion monolithic (MT-2 + DS-2) use SD-1 as boosters, set the low DRIVE knob SD-1, high LEVEL settings. Settings for normal BD-2 distortion. Play the rhythm simply adjust BD-2. Play SOLO, the tone settings of the tip SD-1 lit. Remember that in the case of use of possible noise or feedback, adjust. Use a balanced or compression! an equalizer or compressor also can serve as a good use of the propeller. Use the balance will increase the gain and a pointer to a different frequency distortion. Use compression also can TONE and ATTACK changes get unique distortion sound. Balanced for guitar SOLO: added a new range of timbre! when you connect a balanced front distortion, distortion and then connect an equalizer to emphasize the definition of sound frequency allowing more excellent SOLO timbre.