How ingenious use Equalizer accompaniment appreciation?

From the strict definition, vocal part is a "focus of vocal songs". However, if you want to shrink the vocal mix it very well, so that its timbre rich penetrating power may not be easy, especially when working with large amounts of electronic music as background. So, here we list some relevant Equalizer tips and tricks for us to improve the quality of the voice of masonry. First, be sure to remember this "kind of"/"came out what" law: this is satisfied with the recording of voice and satisfaction. I am not trying to teach your singer, do not want to Natters to hope that he or she put the tobacco and alcohol what other bad habits are completely cut off, or want to discuss a microphone and microphone front-stage amplifier selection of common sense, or compression, reverb or delay effect of skills. I want to talk about is the equalizer. Beyond performance limit if you deliberately pursue an extremely rare vocal effect, similar to completely squashed the human voice, extremely sharp/bass technology, or the kind of long-distance calls in voice, then appropriately using the equalizer can significantly enhance the performance of your music. My preference is basically turn off 125 to 240Hz faders, near to the 2.5 3.5kHz of faders pull down a little to dB attenuation section so that you can get rid of those very sharp frequency, and 10 to 15 or 16kHz band range you want to upgrade to strongly prominent melody. All those common, uncertainties (singer, microphone, and so on) will ultimately determine what you should use the equalizer, but as a start, this is the basic principle should be available. The current trend is that clear timbre, tonic transparent, bass and treble are good but not the risk tip. Lead singer and band mix should maintain the appropriate proportions, at first, I use a high-pass filter to switch off some of the bass. Some microphones and most of the sound mixer are built such a filter. Commonly used these frequency bands range according to the hardware design or manufacturer, attenuation of band ranges vary (for example: each octave switch off 6dB, 100-frequency below) and are generally around from 60Hz to 200Hz. Use this filtering mode lets bass bass part detached from the vocal track, adapt it to its own appropriate frequency response range, this will not occur with other accompaniment music bands on the conflict. It also helps weaken some cracking sound (sound of the explosion sound of flapping and other consonants) so that it is not so obvious. A good filter should be filtering out all of them. Of course, most of the human voice is usually not in 160 or so what cycle following, so as to cut off this part and will not cause too much damage. Secondly, in about 125 to 240Hz band attenuation range 4 to 6 dB, is to enable voice from base drum/bass/drum drum sound regional diversion. You know, it cut off too many things can cause the human voice in particular thin, so it should be gradual, each time a little cut. In addition, even in the same song, shear band ranges and cut the number should also varies according to the singer. In some dwarf mixed, the primary audio track is a completely flat of the human voice, or simply in the entry with a small amount of balance. But sometimes, a tune itself may be a great change, the singer can be in several sections within a sudden decrease or increase the pitch octave, this requires increasing the equalizer with music to match the other voices. Depending on the device, there are many ways you can make the equalizer in real time. If you have an analog mixer, usually by the vocal track forks into two mixer channels, each of the equalizer settings are different (often volume faders also varies). Then, you just need a track mute, while opening another track, or will they cross gradients to complete. If a mixer channel not enough, you can also use external equalizer to the alternating settings, also can play the same role. You can use a mixer channel insertion switch, you can also use the equalizer through control buttons to easily insert function on or off. If you are using an automated digital mixer, all this is greatly simplified, because it can automatically change the equalizer setting so that it was unnecessary to signal to both channels. If you use a digital audio workstation, nor is the same. No matter what device is used, you should select the music a relatively clean space (if there is no end, then singer breath point should be the best choice) to change settings so that you will not have the sound of blasting. Throughout the piece, you can track multiple changes of need. Improve the skills of these equalizer settings for the best way is to listen to audio recordings, and try to imitate the sound you like, while avoiding those annoying sound arch set both to the human voice or instrument to increase the balance, its purpose is to enable the voices in the sound spectrum, find your own place, and should not be excessive interference from other signals. Thus, high-end sound recording requirements they gave us a series of challenges. Some of the recording of the voice part particularly bright and smooth, warm, not unpleasant feeling. In addition some recording has a very good high-frequency, more like lofty cliffs, even shrinkage concrete sounds very thick, still very natural. To an audio track to set balanced there are a number of ways, but I usually use two. One is a shape smooth curve, using a wide bandwidth (the lower the number, the more wide-bandwidth), very slow to upgrade the treble section. Other is in compact bandwidth upgrade one or more of the band, so high frequency part of the very simply and very stimulating. For bandwidth upgrade, I usually use a vaulted high frequency equalizer settings to increase a little dB, generally between 7 to 12kHz. Arch balance settings to the selected frequency band as the starting point, reaching down to the support band limits, so if you add 10kHz band 3dB, from 10kHz until 20kHz above balanced gain will be promoted. This will produce a beautiful,Smooth, almost airy high frequency tone, resulting in the sound Department of the people to not be other musical instrument sound regional conflict. Thankfully, the entire high-frequency end very smooth tone, there is no other band's sound. Please note that the high frequency part already spans to hiss and audio segments, which are located in the hoarse 5-8kHz band around. Hoarse is separately needed another category of problems, but sometimes does not need to use De-esser go hoarse processor (or go hoarse technology), similarly you can cut off the singer's specific frequency bands to suppress some small hoarse. Typically, the equalizer has many ancillary effects, as we discuss the equalizer, or will refer to them. The second high-end balancing technology is aimed at two or three key band, with a peak balance to their elevated or lowered several dB. Peak balance aggregation to the selected frequency bands around, and depending on your selection of bandwidth will be a side downward. If you find the right location for upgrading, it can create an incredibly high-frequency sound. But unfortunately, this fixed tips tell you where, you can only listen carefully to the characteristics of the human voice, and try to find this point. Sometimes, the handset itself has a built-in upgrade feature, so you may simply no longer needs to be improved. Setting equalization to step by step, and don't want to look at adding too much, just the opposite. Broad voice male and female problems arising out of. In most cases, for female voice, I will let the bass take their course without any change, unless they really need to upgrade or cut. As for boys, some recording the preference of the wide, full of sound. Nor is it like that, but I'd recommend at least from 80 to 100kHz following best off. You know, very, very thick vocal tracks will swallow it's surrounded by almost all other voice, whether a drum or hanging at the end of the Control Panel, and balanced than one added to correspond to the relatively narrow frequency band range of vocal mix more difficult to shrink. If you like mixed voices first indent, and then around the human voice to adjust the sound balance band, very very thick sound may be your only choice. My favorite is the musical instrument sound more natural and completely away from the bass bass or Marshall amps overload timbre the singer's voice. If you are a super star, or record a voice and the other is no matter of the program, then this very spacious sound very fit. This sound is spacious and fullness and have rich and warm bass and clean treble, so the sound is particularly outstanding. At present. Some high quality electron tube microphone for music naturally upset help, such as the classic Neumann U-87 and old-fashioned 47 microphone. However, if the nature of the sound recording, vocal sound special thin, or you can try to be around 160 to 300Hz increase some dB to the frequency band for some sound thicken. Can you hear the sound in certain frequency bands lack or excess of actual situation to turn off some of the treble, it may also be a good idea. Whether cut or upgrading, be sure to remember a case-by-case basis to adjust the gain. For example, if a track on the band promotion 1kHz 6 dB, they may need to move the tracks of total volume down a little to offset or avoid the distortion. Improve the skills of these equalizer settings for the best way is to listen to audio recordings, and try to imitate the sound you like, while avoiding those you hate. However, it is important to remember, and sets the balance to a step by step, and don't want to look at adding too much, just the opposite.